The Eyes Have It

Beyond Beyond Assignment - From Above

Shooting a subject from above is challenging.  We don't usually view the world this way unless it is our shoes or maybe the sand along the beach while searching for shells.

In Beyond Beyond we were encouraged to take shots from above.  I tried a few things unsuccessfully.  The subjects were really flat and boring shot this way.  I decided to try a still life of some of my eye makeup.  The round brushes and tubes would roll away from their placement on my smooth surface.  I think putting the rumpled cloth beneath them helped save the shot.  Not only did it stop the items from rolling, the fabric folds gave the light more places for shadows and textures.

In Photoshop Elements 4.0, I enhanced the lighting with a gradient layer and levels adjustment layer.  Kim Klassen's texture layer, Cora, was applied twice and using different blend and opacity adjustments for each layer.  A text layer was added. The finishing touch was to add the frame on a separate color fill layer which was also adjusted for blend and opacity.

Ministering Angels

What a few enhancements can do for an image.

 I'm so happy with the editing techniques I'm learning from Kim Klassen.  This time I combined a "recipe" from Beyond Layers with inspiration from Beyond Beyond and Texture Tuesday.

Enhancements include the filters high pass and gaussian blur as well as layer adjustments to levels, saturation, gradient and color fills. This was topped by Kim's texture layer Mary from the Downton Collection.

Cropped only, no enhancements.

 Even though this picture has a cluttered background and a dark exposure, I had hope for it because of the highlights on the angel's head, praying hands and tops of the wings.
Using the gaussian blur helped push the background back and when I erased the angel from the blur layer exposing the focused layer, I gave it the emphasis I desired. (I'm still working in PSE 4, an old version of PS Elements that doesn't have the masking capabilities that new versions have which is why I literally erased the blurred angel.)

There were ten layers when I completed this image.

A few years ago Mom gave me this garden angel to thank me for helping when she had health issues.  I placed it by roses in my garden. One of my sisters and I had a great day selecting the roses. A pretty yellow variety was to remember my Grandma by, but the rabbits and Japanese beetles have taken their toll on it.  I think last summer's drought finished it off.  Obviously, this angel doesn't have mystical powers to ward off enemies in my garden, including the dandelions popping up around it... But it reminds me of Mom and how when we give of our self to others, we may seem like an angel to them.  The Bible tells us that God sends angels as ministering spirits to help us in time of need.

Earlier today I finished a novel on my Kindle called "Not A Sparrow Falls" by Linda Nichols which is a free download from Amazon at the time of this posting.  I wasn't sure I liked it when I was in the first couple of chapters, but I decided to keep going.  Soon I was hooked.  There are references in the book that go with this image very well.  If you have a Kindle, you should check it out.

Celebrating 300th Post with Animation

Woo HOO! It's my 300th post and just in time, I learned a nifty editing technique from Kim Klassen and a Beyond Layers lesson.  Now I know how to make an animated image. It's a visual party.

The pictures are from my February journal page inspired by Amanda Jolley and her Joy Journal Project. I'll write a separate post with more details on the page techniques.

I think I'll celebrate with a nice hot cup of tea sweeted with honey. Now which tea shall I select?

Revisiting Art Journals and Clipping Layers

Tonight I learned how to make a template with PS Elements which I used to assemble this collage. The template was created with layers and shapes and clipping layers together.  I don't know why it took me so long to get to the point of figuring out how to do this, but I know I will find the technique very useful.  It's really not hard.

The template before adding images.

Well, once I made the template, what was I to put in the blanks?   A quick scan through image files took me to folders with journal shots.  I chose xo and heart themed pages for this collage.  Next I added a subtle texture layer by Kim Klassen called Peony.  Finally, the quote was added.
I might paraphrase this quote to say, "At the touch of love everyone becomes an artist."

Framing a Fall Walk



Brookside Park, Ames, Iowa

 In my effort to get back into the practice of editing images for Beyond Layers assignments, I chose a shot I took with my HTC Thunderbolt last fall on a glorious Sunday when Hubby and I went for a walk at a local park.

The point of the assignment was to add frames to our images which is just what I did to help draw your attention toward the biker on the path.  I had a similar shot with no biker, but the human element made this seem more interesting to me.

The light was quite bright and scattered across the image - even in the shadows.  I played with the levels and added a color layer to help boost the warmth I felt that day.

Next I added two frame layers.  One is quite broad and is not very obvious.  I used it to darken the outer part of the image and make the center seem brighter in contrast.  A narrow dark border was added to finish this off.  Both borders are heavily feathered to blend into the shot.

I like knowing how to make this vintage-style border that is similar to a quick action I can do with the PicSay Pro app on my phone.

Zing Zing Zing

I'm back to blogging and I hope to make this a regular practice again.  This quick post features a digitally altered image of my new journal cover.

I decided to join Amanda Jolley's Joy Journal Project to help me get back to art journaling.  Our prompt was to choose a word for 2013 with further instructions.  In December I was watching episodes of the BBC program "As Time Goes By".  One of the main characters sighed that the ZING had gone out of his life.  I love the sound of that word.  ZING
I had a much more serious word in mind - STEADFAST, but ZING wouldn't let go.

This journal has bristol board pages and recycled cereal box covers.  I will bind them with my Zutter.  I may also include other paper in the journal since I'm keeping the pages loose for now.

Pieces of scrapbooking papers were adhered to cereal box cut to size.  I added smears of gesso, and stamping.  Die cut flowers were added.  I will probably add doodling to the covers as well as time goes by.  The insides of the covers are the plain side of the boxes which have some gesso and glazes of color on them with a finish of matte medium.  I can easily embellish them in a variety of ways as time goes by.

I'm also planning to get back to digital image processing and have signed up for more of Kim Klassen's inspiration with Beyond Beyond.  This was the first processing I've done with PSE for a few months and I can't believe how much I've forgotten.  I have several weeks of lessons to pour though to get caught up.  This image was altered with a bit of texture layering and blending modes along with some added text.

More Magnolias - Vintage Style

One of the challenges of photographing Magnolias is finding a focal point when the whole tree is bursting out in blooms.  Last week there were just a few buds fully opened and I was able to get this shot by holding the camera above my head.
It's busy shot, but I was able to bring out the foreground blooms with the help of Kim Klassen's texture layers.  I added a couple layers of The Veil to the uncropped image.  Then I chose a selection to crop and add more texture.  Music Lovin' and Lilly were added to this image.  All layers were adjusted with blending modes and varying opacity.  I erased the texture from the focal blooms on all but one layer of The Veil.

The day was overcast, so I needed to adjust the levels before adding the texture layers.  There had been a soft rain earlier that afternoon.  The wet branches reflect the light grey of the sky.

I'm a huge fan of limited color schemes when I paint, and I like that this image has a limited palette.  The bits of green are a sweet bit of complement to the pinks of the magnolias.

I'm submitting this image to Texture Tuesday, the Pink Edition.  I hope you'll go check out the other images here.  You can see my Flickr stream here.

Magnificent Magnolias - O Magnify the Lord

It's color week in Kim Klassen's eCourse, Beyond Layers.  Wednesday's color was pink.  The timing couldn't be more perfect.  Look what I saw just outside the door when I left work!

The magnolia blossoms look like hundreds of votive cups and the branches are like arms lifted up to Heaven worshipping the Lord God, our Creator!

I did very minimal editing to the images... just level adjustments to lighten up the shots.  The sky was overcast yesterday, so the lighting was quite soft.
The story board template came from Kim's eCourse.  I'm still learning how to use it.  I want to change the top middle image, but haven't figured out a short cut to doing that yet.

Happy Heart Monarch

Kim Klassen "Happy Heart" texture applied to my image

I was away from my laptop for more than a week attending to a family matter.  I told my Hubby that right after missing him, I missed editing images!  So before my busy day away from home gets started, I checked out the latest Texture Tuesday assignment at the Kim Klassen Cafe.

Every fall, butterflies visit my back yard garden and feast on the nectar of the Autumn Joy Sedum plants.  The butterflies are usually so preoccupied with their feeding that I can get fairly close to them.

I used minimal editing on this shot.  After croppping, I balanced the levels and desaturated the green to visually push the foilage back.  Two layers of the Kim Klassen's texture "Happy Heart" were added and the multiply blending mode was applied.  I erased the texture over the butterfly from one layer.  (For just a short while, I'm still using PSE 4.0, but will be upgrading very soon when my Wacom Intuos 4 tablet arrives. Then I'll easily mask out areas.)

This editing was a simple fix to help pop the butterfly from the busy surroundings.  I see the white spots like jewels set around the most beautiful stained glass.  Our Creator God is a magnificent artist!

"When I look at Your heavens, the work of Your fingers,

  the moon and the stars, which You have set in place,

  what is man that You are mindful of him,

  and the son of man that you care for him?"

A Barn and More Treasure from James




This barn always captures my attention from afar.

  Do you ever take the slower route to your destination?  You may be rewarded in seeing treasures you would have missed while flying down the interstate highway.

A few years ago, I noticed this barn in the distance while taking one of our favorite back roads.  I am drawn to that barn like a moth to a flame.  My husband often offered to stop so I could photograph it, but I would wave him on with excuses about the terrible, harsh mid-day lighting.  It was true.  I knew an image would wash out and there would be little contrast.

But one day I was traveling on my own and turned down the gravel road so I could get closer to the barn.  And since I'd bothered to do that, I might as well take a few pictures to remember the day.

Fast forward to the present.  I'm looking at my photo images with new eyes since learning different editing techniques, especially from Kim Klassen.

Editing this image has been a challenge for me. To give it a painterly feeling, I made several adjustments including blending modes, levels, hue, saturation, high pass filter, and Kim's texture layers Sienna and History. My emotional tie to the subject made me more tentative than usual, but I felt something was missing.  Last night I hopped over to Texture Tuesday, where Kim challenged us to use her texture "Felicity" on an image.  I thought, "Why not try Felicity on this barn?"  It was just the extra something I needed to pull my layers together.

I debated whether or not to add text, but the road was crying out to me for something.  After a bit of searching, I decided to use a verse that has become very familiar to me this month since it is in the Book of James in the Bible. (James 3: 18)  If you are new to this blog, I'm in a Bible Study on James and have been memorizing the book.  By the grace of God, I've completed four chapters and have started the last one.

Off to dig up more image treasures and to store more True Treasure in my heart...

I Love Chicago!

Vintage, painterly effects applied

I love Chicago.  Every time I see this sign I smile.
It was lots of fun applying the latest homework from Beyond Layers to transform the ordinary shot into this warm vintage style image.

Straight from the camera

This was so much fun, I think I'll do more...

Ranger Alcohol Ink Story Board - Beyond Layers Homework

As the saying goes, there's more than one way to skin a cat...

This past week I learned a different way to make photo collages in the Beyond Layers Year of Art Full Inspiration being taught by Kim Klassen.  She provided Photoshop and PS Elements templates that are SO easily personalized.  I'm anxious to learn exactly how to make this type of template... Kim, I'm being patient...

I thought it would be fun to take some of my archived "project in progress" images and insert them into the template.  Easy Peasy.

Just before starting this post, I decided to add the Beyond Layers button to the sidebar.  I saw that Blogger has added a few new gadgets to the blog design page, and I chose one that shows my most popular posts.  (Scroll down to the bottom of this page when you're done reading.)

NOW THIS IS WHAT IS TOTALLY COOL AND I HAD NO IDEA...
A previous post when I stepped out this exact card is on my top ten posts list.
As Michelle Ward would say, "How Cool Is That?"

So go to the previous post if you want to know more about my alcohol ink project.
Stay tuned for more story boards.

Faith and Works: Where the Rubber Meets the Road

Is my faith like this rusty old wagon?

I've been studying, memorizing and meditating on the second chapter of James. This is concentrated food for the mind, the heart and the soul.  The book of James contains the kind of teaching that inspired the late J. Vernon McGee to proclaim his famous phrase, "where the rubber meets the road".

You can have a car [faith], but if it just sits in the driveway, what good is it?
When the rubber meets the road, you're going places and doing things you can't just sitting in the driveway.

I was raised on a farm that is still in my family.  I enjoy walking down the lane past the grove, looking out across the pasture where cattle are grazing and the fields of corn and soy beans.  Along the way is a resting place for some of my brother's equipment.  Some have been retired from service.
As they settle into the landscape, their aging process helps camoflauge them with coatings of rust and lichens and fading, peeling paint.  Their patina is beautiful to me.

For today's Texture Tuesday, I chose this image of a retired grain wagon.  I applied Kim Klassen's texture layers "Confidence" and "Storm", along with other adjustments using Photoshop Elements.

During the editing process, I was reminded of the last verse in James 2.  One thought that came to mind is that if faith is the wagon, what good is it when it just sits wasting away.  But if it is hitched to the tractor, the wagon can be put to use to haul grain from the field to market.  The wagon [faith] is active along with the tractor [works]. (see James 2:22)
...probably not the best analogy, but that's how I came up with the verse for the image.

In case you're wondering, I'm close to having the second chapter memorized.  I'm finding that I must keep reviewing chapter one while continuing on with chapter 2, because the details tend to slip away from my mind if I don't.

If you're wondering about Texture Tuesday, see Kim Klassen's blog for details.

Flowers of the Grass and Other Ponderings

"For the sun rises with its scorching heat and withers the grass;

its flower falls, and its beauty perishes. 

So also will the rich man fade away in the midst of his pursuits." 

James 1: 11 ESV

Daunting words.  I'm studying the book of James with a group from my church using Beth Moore's latest study guide: "James - Mercy Triumphs."  This time Beth threw out a challenge to memorize the book of James.  What?!?!  It's not required, but I was drawn to the challenge.  My normal thinking is that I cannot possibly do that.  Previous attempts to memorize topical verses has not been a great success.  I haven't disciplined myself to keep reviewing the verses to keep them fresh.  Occasionally, by the grace of God, a verse will come to mind when I need it.  So how did I think I could memorize a whole book of the Bible, let alone a chapter?

With God all things are possible.  Seek, Ask, Find.

And by HIS grace, I have memorized chapter 1 and have my foot firmly planted into the beginning of chapter 2.

What happens to your mind when you are memorizing a complete passage is pure blessing.
It is joy.

Something else happens.  The Word is alive in all aspects of your life in a new way. Even art making.

I skimmed through my image files looking for something that I could enhance with Kim Klassen's Simplicity Texture.  (Be sure to follow the link to Kim's site where each week she shares a texture.)
I was attracted to a group of images I shot one late autumn that were inspired by silhouettes and textures at a local park, and I hoped to use the shots for painting references.
The "Dead Heads" gave me a great digital palette.  The sky was a vast blank of nothingness.  Most of the detail of the image was lost to shadow, though not a perfect silhouette, giving me lost and found edges.

As I made adjustments to the image, cropped it and applied the texture layers, I remembered the Word that has been scrolling through my mind and falling from my lips over and over...

"Like a flower of the grass, he will pass away..."  James 1: 10b ESV.

I am reminded to share my blessings.

How I Came To Call Myself an Artist

How do you know you are an artist?
When do you claim the title as your own?
When do you believe it?

It’s common that those around you can see quite plainly what is right in front of you. But you are blind to it.  Or, you see it through too many filters…

- unbelief

- false modesty

- pride

- fear

- comparison

Since I was a small child, I’ve delighted in making things. I’ve been attracted to beauty and nature and textures and colors and music. I didn’t just want to see them, I wanted to feel them. I never thought of myself as an artist, and the idea of being an artist wasn't even a reasonable thought.
Mom saw something in me and as Santa (or herself), she gifted me through the years with many crafts, teaching me to sew, embroider, cook and bake. She believed in me and even handed over the task of birthday cake decorating to me at a young age. She signed me up for junior high art class.
Even though I enjoyed learning techniques and working with art supplies, I was intimidated by other students whose art I considered to be better than mine.

By now I had convinced myself that I wasn’t an artist. Never really considered that I was one because I wasn’t good enough.
But I still liked to make stuff.

In college, my Home Economics curriculum included a basic art concepts class as a prerequisite for a required interior design class. Wow! I really felt out of my league. But I enjoyed the art exercises just for the pleasure of working with paint and scissors and glue.

A part time job in a needlework shop gave me ample opportunities to feed my creative spirit. I began the job with a few basic skills in embroidery and knitting. By the time I graduated college, I was managing the store, teaching a variety of stitchery classes and even helping to design very simple cross- stitch patterns! I took comfort in stitching detailed counted cross-stitch patterns because the designs and colors were already determined by the designer. I didn’t think I could draw, let alone paint anything as beautiful as these cross-stitch designs.

Over the years, I also played with quilting, custom sewing, and crafts. I taught myself jewelry making and started my business, RGR Designs.

But paint lured me. Oh yes it did! I told myself that when I was older (over 40), that I would take lessons. But in my early 30’s I took an adult ed watercolor class with less than impressive results. In the meantime, a great friend invited me over to paint on sweatshirts and wooden ornaments. Well, that wasn’t so bad. Designs were available that we transferred to the fabric, and patterns could be traced onto the wood. I could do that, so I was off and running. I was hooked and wasn’t satisfied painting simple folksy designs for long. I found instruction booklets using craft paints for flowers and even watercolor techniques.

Still, I was not an artist.

A local watercolor artist’s work caught my attention. She painted flowers with such intensity I could hardly believe my eyes. She was teaching an adult ed class and I signed up. Now I was learning to paint the way I had hoped. My skills with the medium needed lots of work, but I was headed in the right direction. In addition, I met a great group of women who also love to paint. We met regularly to paint and encourage each other.

Oh, surely I was an artist now. I belonged to a group of painters and we even showed our paintings in public.

Are you kidding ? I was convinced that for someone to call themself an artist, she must have her art hanging somewhere important or make lots of sales. That wasn’t me.

At this point, I developed some photography skills. I learned from the recent watercolor class that I really needed my own reference images. I was still stuck on the idea that I couldn’t draw well and therefore I needed to enlarge my images and trace them on the paper before I painted. I was also building my jewelry inventory and photographing it for promotion.

Without going into a lot of detail, this thread of art in my life was just a layer over deeper issues. A critical juncture was finding out that I would never give birth to a child, would never give my husband our offspring... Devastating to the heart of a woman. But the good news is that my heart belongs to Jesus Christ and He gives me the strength and the tools to overcome even this heart ache. In obedience to Christ, I began a daily practice of gratitude.

During my drive to work with nearly ten miles of rural landscape, over the course of several months, I observed elusive bits of beauty and gave thanks to God for them. That winter, I began to notice nuances of color in the dead landscape that had previously been all dull and grey to my eyes. For example, I delighted in seeing the shades of muted reddish brown in certain grass varieties and how lovely they appeared against the straw colors of other grasses.
Each day the sights were different with the changing angle of the sun or cloud cover.

Then one day on my way to work the truth hit me.
It was a gift of great significance.

i am an artist
I am an artist
I am an Artist
I Am An Artist
I AM AN ARTIST

I realized that I had been thanking God for artistic aspects of what I was seeing; the juxtaposition of complementary colors or analogous color schemes, texture and value contrasts, shapes, rhythm. I was processing what I saw through the lens of an artist and expressing my gratitude in those terms to the greatest artist, the Creator.

Thanking God for giving me joy through these elusive and often temporal glimpses had been the tool to open my heart more fully to God, and He helped me see and accept who He created me to be.

It feels good great to be able to say I am an artist.
By saying I’m an artist doesn’t mean I think my work is better or worse.
In fact, being an artist is not about what I make.
It’s about who I am. How I see the world and process it.

Having said that, as long as I remember who I am, then I am free to make art. I have fewer mental distractions than I did in the past. The self critic has not been totally silenced, but I am a work in progress.

I’ll continue to follow my curiosity, develop my skills and be an artist.

P.S.  After my great epiphany and  I started sharing my identity as an artist, you know what I heard most? "I knew that." 
Reminds me of the story about a girl who wore ruby slippers and woke up with a bump on her head.


 Note:  Image edited in PS Elements 4.0 and includes Kim Klassen's texture layer Evolve.

Tallcorn Towers Four Ways using PS Elements

Tallcorn Towers Four Ways

Today I learned a different way to convert color images to black and white. Then I made simple adjustments for a variety of effects.
My inspiration is a historical building in downtown Marshalltown.  I couldn't resist the name play of this building that is emphasized by the angle of this shot.  I edited out a street light that cluttered the right side of the composition.  Adding texture layers helped disguise some imperfections in that background edit.

Black and White adjustment layer.

I duplicated the background layer and used an adjustment layer to convert the color image to Black and White.  Using an adjustment layer gives you more editing options than converting the image using the Enhance menu.  That's just one of the many tips I've picked up from Kim Klassen.


Vintage Effect

 Since the black and white conversion was done to a layer, I could adjust it's opacity to let a bit of the original color come through.

Even more color comes through...

This image reminds me of old faded color photos that might be found in the back of a drawer.  I decreased the opacity of the Black and White layer even more to allow more color to come through than the previous image.
Let me remind you that there are additional textures and adjustments overlaid on the image.  The above shots are showing the differences from playing with the black and white layer.

Color fill layer added

I like the character that adding a color fill layer gave to the image.  Using the color picker tool, I selected a solid burnt orange hue from the bricks.  A layer of orange covered the whole image, but I greatly reduced its opacity.  This layer warmed up the cool tones and neutralized the sky area.  A painter would get a similar effect by painting a transparent colored glaze over their painting.

Be sure to check out Kim Klassen's web site.  She is starting a Photoshop Essentials eCourse in February and will be covering both PS Elements and Photoshop.  If my schedule wasn't already so full, I'd be taking that class.  Her videos are easy to understand and she is generous in providing practice images as well as free texture layers.  If nothing else, follow her blog.
You can see more of my recent editing at my Flickr photostream.  Thanks for your comments!
Oh yes, that IS a new blog banner at the top of the page.... same scripture with a different background (part of one of my paintings that sold).

If opportunity doesn't knock, build a door.

I've been sorting through image files and playing with the new skills I'm learning from Kim Klassen.  You can still sign up for her Beyond Layers Year of Artful Inspiration.

This is an image I shot in Marshalltown, Iowa on a gorgeous Sunday afternoon when Hubby and I were admiring the architecture of its downtown area.  I was drawn to the color of the door and all the lovely texture created by the peeling paint.

Today I was challenged to choose a simple shot and alter it just enough....  After tweaking the light levels and hue saturation just a bit, I added Kim Klassen texture layers that were adjusted with blending modes.
Do you remember Milton Berle?  I thought his quote was just the right finishing touch.

PS Elements Transformations with Skinny Mini eCourse

After PS Elements

I'm so excited about the Photoshop Elements tips I've been picking up from Kim Klassen.  Kim offers eCourses and texture layers.  The above image was created using techniques I gleaned from Kim's Skinny Mini eCourse. 

Before PS Elements

I used this image of a fall blooming clematis that I shot last fall.  One of Kim's textures was layered two times with a different blending mode applied to each layer.

Enhanced with PS Elements.

This is another "homework" project.  It's amazing what a few tweaks will do for an image.

Photoshop Elements Joy in 2012

Scanned monoprint edited with texture layers in PS Elements.

Making art gives me joy.  The creative process stimulates my heart and my mind.  I'm so excited to share with you on my blog after a three month hiatus. 
I've been OK, but many family events absorbed much time.  There have been celebrations and a farewell.  Through it all, the joy of the Lord has been my strength.

This Fall my sister introduced me to the Kim Klassen Cafe.  WOW!  If you enjoy digital editing and textures, don't walk... run to Kim's site.  She has plenty of free textures and techniques as well as very reasonably priced on-line workshops.  I signed up for her Beyond Layers class.  This is one step toward my goal of developing my line of edited images.  I have plenty of painted and photographed textures that I am learning to convert to texture layers.

Today's image started with a scan of a monoprint I created for a Green Pepper Press Crusade Challenge.  By using some of Kim's free texture layers and manipulating them with effects, I enhanced the print.  By adding text in a separate layer, I can change the message at will.

A bit of great news came to me in the past couple weeks.  For the second time, I've had work accepted in a national art exhibit.  The digital image "Swan Love" will be on display at the Octagon Art Center in Ames, Iowa from January 27, 2012 through April 7, 2012.  To say I am thrilled is an understatement.

Thanks for following my blog.  I intend to post more regularly.  Blessings to you in 2012!

State Fair 2011 Art and Summer Learning



"Connections" at Iowa State Fair Fine Arts Exhibit 2011

 Sunday we attended the Iowa State Fair Fine Arts reception where we got to preview the amazing art that will be on display during this year's fair.  This was the third time I've had a painting juried into this show.  It's a thrill to get the bright colored postcard in the mail and find a check marked in the accepted box.

You'll find the Fine Arts display on the first floor of the Cultural Center.  It's on the hill on the east side of the fairgrounds.  If you want to see my painting, it's located in the SW corner of the fine arts room on a half wall.  That's not an ideal place to view it.  I'd prefer it be hanging higher and with more space to step back from it to take in its subtleties and depth.  But I'm still very pleased to have a painting on display.



Swan Love

 Another hobby of mine is digital manipulations.  Even though I've been playing with them for several years, I still consider myself a novice since there are many digital tools that mystify me.
The only good thing about Borders Books going out of business is that there are some great bargains.  I found "Digital Imaging Workshop" by Rick Sammon and paid just over $2.00!  Yes, it's a bit dated since he was using PS Elements 2.0 and 3.0.  Some of my tools are different in the PSE 4.0, but I'm still benefiting from his tutorials.  Last night I randomly chose a so-so image I took a couple years ago.  I often save this quality of shot just for the purpose of painting reference.
I learned a couple of new tricks from the book and added a couple things I already had up my sleeve.  Digital magic!  I know this image still has problems.  The distant swan in blown out a bit by being over exposed.   Even so, there are still many things I like about the results and I'm encouraged to keep learning.