GPP Crusade No. 52: Seasonal Wardrobe

Cover art on Strathmore Visual Journal

 This month Michelle Ward challenged Green Pepper Street Team participants to share seasonal "wardrobe" changes in our art.  Do I change my color palette with the change of the seasons? 
How does the changing of the seasons affect my art?

I tend to work with a limited color palette and usually prefer saturated colors.  But looking back at the past winter months I see that I played a lot with softer colors, especially aqua.  Maybe a desire to be at a warm beach during the long cold winter was influencing me.

Lately, I've been experimenting with bright green.  Today's project was to embellish the covers of a Strathmore Visual Journal.  They have a tough, shiny cover that I sanded to give more tooth for the paint.  Then I applied gesso that I distressed with waxed paper.  While the gesso was wet, I lay a piece of waxed paper on the surface and lifted it off.  The gesso dried with an irregular texture.
Next, I painted a thin layer of lime green paint on the surface and dabbed some off with damp cheese cloth.

The special seasonal touch to this cover came from the leaf masks. A short storm left bunches of leaves and twigs on the ground yesterday. I picked up a few and pressed them over night.
I laid the leaves on the covers and sprayed a couple colors of diluted Liquitex Acrylic Ink.

I really like the results of this project so far and have started a similar project on canvas.

This crusade has me thinking about the influence the seasons have on my work and I can use that awareness.
 When I get stuck for inspiration, I can let the unique qualities of the season spark ideas.  The bright green that I'm working in seemed too intense when the ground was covered with snow.  But now the outdoors is bursting with green and it just seems natural to be working with it.

Triple Galaxy Painting

Painting image taken Saturday under partly sunny skies.

 Do you ever wonder when enough is enough on a painting?  I have found that taking a quick digital image often helps me see the weaknesses in a painting.  There have been times when I thought I was done and was preparing my images to post a blog entry when I saw flaws that I knew I couldn't live with. Back to the easel...

Saturday was a good day to go outside and spatter paint.

 This is a painting I started several months ago and set aside while I contemplated what else to do with it.  It began with gesso resist monoprints and layers of blue-violet and red-violet.

This past week I added glazes of transparent color to give the painting more depth.  Some were sprayed on with a mister bottle and some were dry brushed on.  I added a bit of spattered gesso.  More glazes were added, but I knew I needed to put more energy onto the canvas.  That can get messy.

Fortunately the weather was calm and mild this past Saturday.  I laid the canvas board on the ground and shielded some of the areas with torn paper and the canvas circles you see on the above image.  Then I aggressively spattered gesso across the painting.  I followed that with some spritzes of glaze color.

Detail from the painting.

I liked the way the canvas appeared.  I like the digital images even better.

Inside my house is another matter.  The lighting is diffused, and the white areas are not distinct like they are on the digital imagery. The painting seemed dark and didn't have the visual movement that I could see outdoors.

This morning I put a thin layer of gloss medium/varnish on the painting.  That helps bring out the whites and gives the painting a bit more depth.  I hesitated to take this step because I wasn't sure I was done adding glaze layers.  The gloss layer isolates any new layers from the previous ones and any subsequent painting will go down differently.

It's time to step back and wait.   Again.

GPP Crusade No. 48 - More Evidence Journaling

Evidence page featuring a symphony concert we attended.

 The February prompt for the GPP Street Team is to create another evidence page in our art journals.  The theme is to come from an event attended last year, so Michelle Ward cleverly named the crusade: "Been There, Done That."  Read more at the GPP blog.

I've just completed half of my spread that you can see above.  Hubby and I attended a very special concert where the Central Iowa Symphony and Fort Dodge Symphony joined together.  Mahler's 1st Symphony was performed during the second half of the concert.  Near the conclusion of the performance, the French horn section is featured.  At the conclusion, the French horn players all stand as their fanfare fills the air.  It was a moving experience that I won't forget.  And it was so meaningful...



Beginning stages of the journal spread.

 A dear friend who had been a French horn player lost her battle with cancer the day before.  Her daughter, who is also a superb musician, was playing the French horn in the first chair position in the concert.

My friend was also an artist. We became good friends at the pool where we both did our workouts.  We quickly learned that we had so much in common.  Working out was more fun when we discussed the latest "Watercolor Artists Magazine" or the projects we were working on.

For this journal spread, I chose aqua and gold acrylic paint and gesso to prep the pages.  Aqua is for the pool and gold for the French horn.  The spiral stamp reminded me of the shape of the horn.

I adhered ephemera from the concert on my page with soft matte gel.  Chalk and oil pastel were added for more color.  I also spritzed the page with walnut ink and wiped off the excess.  Journaling was added with a Sharpie marker.
As for the right hand page, I plan to put a memorial to my friend on it.

January Art Journaling - GPP Crusade 47 & Strathmore Workshop

Detail view of new art journal page.

Here's a fun winter project you should try.  Strathmore is offering free on-line workshops.  The first was introduced earlier this month and is taught by Pam Carriker.  Check out this link for more information.


Early in the journaling process.

 Pam guides us through a project that invites you to re-use previously created art.  Start by making copies of your art.  I used copies of monoprints that I created for the GPP Crusade No. 39.I cut out the plain butterflies and some border pieces.  Using scraps of the same paper, I punched out flowers and leaves and hearts.  They were adhered to a Strathmore Watercolor Paper Visual Journal. This paper stands up well to all the layers that went into creating this page.  I used a charcoal pencil to draw some details and outline some elements.


Layers of gesso and oil pastel have been added.

 I tried to cut loose and not judge too much.  But I have to admit that I was feeling discouraged at this point.  Seemed like I had an ugly duckling in my hands... but we know how that story turned out.


The completed page.

 Maybe it's not a beautiful swan, but I'm happy with the results.  I was stretched and learned some techniques that I know I can use in future art.  The following page used some of the same techniques.

GPP challenge using some newly learned techniques.

 The Green Pepper Press Street Team Crusade No. 47 - It's A Wrap challenges us to create an evidence page using gift wrap from Christmas and to journal about gifts given, received, etc.  We use very little gift wrap these days.  I love reusable gift bags and tissue paper.

This page started in the same Strathmore journal.  I wrinkled a piece of tissue paper that had red and green circles, then applied it to the page with matte medium.  I purposefully did not completely flatten the paper which left wrinkles and distorted the circle pattern.  I cut out the poinsettia from a scrap of paper that managed to come home with us from the in-laws.  (They are great about recycling regular gift wrap.)
The poinsettia was also applied with matte medium.

I knocked down the white background and neutralized the colors a bit with some walnut ink and a thin glaze of green oxide paint.  Charcoal pencils, gesso and oil pastels add more character to the page.  But the real star of this page is my new Sharpie poster paint markers.  They were on my Christmas wish list along with Sharpie pens.  I got Sharpies in spades.  In addition to my requests, I also received a large assortment of regular Sharpie markers with fine points.  I have NO excuse for not journaling.
I very loosely wrote over the top of the images.  I'm trying to not make the pictures so precious. Using a wet, juicy marker helped accomplish that goal.

So there you go.  That's my art out-put for the month.  I hope to spend some time at my easel very soon.

GPP Crusade No. 37: Love Letters (part 1)

X & O

A great motif for creative play...

Michelle Ward, leader extraordinaire of the Green Pepper Street Team has challenged us once again.
After you're done reading this post, why don't you go here and play along?
Let it be a Valentine to yourself!

Just a reminder, click on images to enlarge, then hit your browser's back button to return to the post.

I'm a big fan of the X & O, and have a small collection of stamps to prove it.
But the nature of the challenge is to go beyond the familiar and try something new.
What happens if I use resist ink on watercolor paper and paint an acrylic wash over it?

What happens if I make my own tools or use my fingers as stamps?

A simple triad palette inspired by Mary Todd Beam's Celebrate Your Creative Self.
Could I make an XO mask by folding paper according style?

What will happen if I use a spatter brush over my masks?

Are you going to come play with the team?